GO HOME
Visit European Gallery



       Prev  1  2  3  4  5   Next
 
 
Prev Artist       Next Artist     

Willem Claesz Heda Breakfast Talbe with Blackberry Pie oil painting


Breakfast Talbe with Blackberry Pie
Painting ID::  40441
Willem Claesz Heda
Breakfast Talbe with Blackberry Pie
mk156 1631 Oil on panel 54x82cm

   
   
     

Willem Claesz Heda Still life with a Lobster oil painting


Still life with a Lobster
Painting ID::  43216
Willem Claesz Heda
Still life with a Lobster
mk170 1650-1659 Oil on canvas 114x103cm

   
   
     

Willem Claesz Heda Detail of Still Life with a Lobster oil painting


Detail of Still Life with a Lobster
Painting ID::  43217
Willem Claesz Heda
Detail of Still Life with a Lobster
mk170

   
   
     

Willem Claesz Heda Style life oil painting


Style life
Painting ID::  45544
Willem Claesz Heda
Style life
mk186 around 1630 Madrids, Museo del Prado

   
   
     

Willem Claesz Heda Style life with gilded cup oil painting


Style life with gilded cup
Painting ID::  45635
Willem Claesz Heda
Style life with gilded cup
mk186 1635 Amsterdams, Rijksmuseum

   
   
     

       Prev  1  2  3  4  5   Next
Prev Artist       Next Artist     

     Willem Claesz Heda
     1594-1682 Dutch Willem Claesz Heda Galleries Dutch painter. He was a still-life painter, who, like Pieter Claesz., is noted for his monochrome breakfast-pieces, which are, however, more opulent than those of Claesz. Heda earliest dated work is a Vanitas (1621; The Hague, Mus. Bredius), which shows a still-life from a high viewpoint, composed of various objects bearing vanitas associations (e.g. a bowl of glowing embers, smoker requisites, an overturned glass and a skull); the colouring is in brownish-grey tones and represents one of the earliest examples of a Dutch monochrome still-life (monochrome refers to the range of tones, rather than of colours). Even in this early work Heda skill at painting textures is evident. A more balanced composition is achieved in another Still-life (1629; The Hague, Mauritshuis) and in the Breakfast Table (1631; Dresden, Gemeldegal. Alte Meister), in both of which the objects, set against a neutral background, are linked by a strong diagonal. The Mauritshuis still-life also gives an early indication of Heda interest in painting the effects of light. In 1631 he became a member of the Haarlem Guild of St Luke (of which he served as deacon on several occasions after 1637).

     Related Artists::.
     | Constantin Daniel Stahi | Robert Brough | Henri Lucien Doucet |


IntoFineArt Co,.Ltd.